A special digital-only release for Christmas 2020
Richard Blackford, composer writes,
Christmas Dawn is a simple, hymn-like tune presented first softly, with a simple chordal accompaniment. As it gains momentum, with more expansive piano figuration the tune develops and extends. A contrasting middle section with staccato quavers heralds the return of the theme in a full, joyful iteration, before closing softly again. I sent the score to my publisher and they suggested that the pianist Simon Callaghan record Christmas Dawn with an accompanying video, as a celebratory lockdown project at Wyastone Recording Studio that might cheer people up, given the uncertainties of Christmas this year. I hope the music and the video will give pleasure at a time when Christmas cheer is much needed.
With Miriam Margolyes (narrator)
A delightful set of circumstances combined to produce the beloved masterpiece, Babar. The journey began in 1930 when Laurent and Mathieu, sons of French author and illustrator Jean de Brunhoff were told an enchanting bedtime story by their mother, Cécile. So moved were the young boys by the curious tale of the young elephant’s adventures, that they asked their father to create illustrations. The resulting book initiated a series that was to be the crowning achievement of Jean de Brunhoff’s short professional life, and that of his son Laurent, who added further volumes following his father’s death in 1937. The children have acknowledged that the story originated with Cécile de Brunhoff, who, feeling that her contribution was too small to be credited, requested that her name be removed from the publications.
In a heart-warmingly similar situation ten years later, Poulenc was spending time with the granddaughter of one of his cousins. Noting that she became bored with the music he was playing, Poulenc put Brunhoff’s Babar on the piano and began to improvise, to the great delight of the young girl. The musical ideas born that day were to simmer away at the back of Poulenc’s mind until he completed the work in 1945. It was premiered on French radio the following year.
SOMM Recordings announces the first complete survey on disc of George Dyson’s music for solo piano including five premiere recordings performed by Simon Callaghan in a specially priced two-CD set.
Callaghan is joined by Clíodna Shanahan for the first recording of the two-piano version of Concerto Leggiero, a mature work originally composed for piano and string orchestra. Almost classical in its sense of economy, the two-piano arrangement boasts a remarkable lyricism.
Born in Halifax in 1833, Dyson studied with Charles Villiers Stanford and Hubert Parry before becoming one of the most prominent British composers and distinguished teachers of his generation. Best known for his choral work, his piano music spans his compositional career. Heard in its entirety, it provides valuable new insights into his development as a composer.
Other first recordings include the seven-year-old Dyson’s first work for piano, Untitled Piano Piece, the exam board commission for young pianists, Twelve Easy Pieces, and The Open Window and Six Lyrics, character pieces designed to encourage young pianists.
Among other works included are the Debussy-accented Primrose Mount, the dazzling set of fugues Bach’s Birthday and so-called ‘War Epigrams’, inspired by Dyson’s experiences on the Western Front before being invalided home
Dyson biographer Paul Spicer provides the authoritative booklet notes.
With Clare Howick (violin)
SOMM RECORDINGS is pleased to announce Entente Musicale, a celebration of Anglo-French music from the turn of the 19th and 20th centuries that sees violinist Clare Howick and pianist Simon Callaghan return to the label following their well-received collection of British Violin Sonatas.
Thanks to the tireless advocacy of Simon Callaghan, the music of the Derbyshire-born Roger Sacheverell Coke has started to emerge from the obscurity in which it has languished since the composer’s death in 1972.
Despite showing considerable early promise, Coke remained an outsider in British musical life. Following studies at Eton (until 1931), he took private lessons with Mabel Lander (piano) and Alan Bush (composition) rather than attending university or music college. Coke credited Bush for helping him to find his musical voice, and cited Arnold Bax as a major influence, but his musical sympathies also extended to Bruckner, Mahler and Rachmaninov at a time when all three were deeply unfashionable among musical cognoscenti. His piano concertos nonetheless attracted widespread attention, with performances in Bath and Bournemouth, and BBC radio broadcasts of the second concerto in 1934 and the third concerto in 1939.
The three cello sonatas featuring on this disc frame the years 1936 to 1941, a very productive period in Coke’s life in which he also composed his second symphony (dedicated to Rachmaninov), the third and fourth piano concertos, a set of 24 preludes for piano, the opera The Cenci, the second and third piano sonatas, the first violin sonata, the Poem for cello, piano and small orchestra, as well as several sets of songs and other smaller pieces. This output is all the more remarkable given that Coke was already showing signs of the mental illness that would have a major impact on his creativity in later years, regularly leading to his hospitalisation for several months at a time.
The story of British music for violin and piano is a fascinating one, but by no means as fully appreciated as it might be. It forms part of the broader genre of British chamber music, overshadowed by the breadth of orchestral, choral, and solo vocal music. Violinist Clare Howick and pianist Simon Callaghan pay tribute to the remarkable flourishing of British violin sonatas in the 20th century with a collection of music by six key figures of the modern chamber music renaissance in Britain.
Pick of the day (26 April 2020) on WFMT, Chicago's classical music station!
Recommended Recording in The Strad (June 2020)
Les Soirées de Nazelles and Carnaval are not only two of my favourite pieces to perform, but as some of the finest examples of sets of miniatures, they also make excellent companions on disc. It is such a pleasure to be able to present them both here, alongside another set of character pieces by Schumann, his much-loved Kinderszenen. Making this recording has been a true labour of love.
SOMM Recordings’ The Deeper the Blue offers an intriguing exploration of colour and timbre in music and a revealing investigation of the connections between four very different composers over a near-100-year period.
Taking its title from painter Wassily Kandinsky’s assertion that a deepening colour ultimately “turns into silent stillness and becomes white”, the recording illuminates the intimate relationship between student and teacher: Vaughan Williams and Maurice Ravel, Kenneth Hesketh with Henri Dutilleux and the influence on Dutilleux of Ravel.
The two works by Sherwood presented on this disc were not published during the composer's lifetime and are recorded here for the first time, using texts prepared and edited by Hiroaki Takenouchi from manuscripts held by the Bodleian Library.
Felix Draeseke’s description of Nicodé as ‘more a moderate progressive than a cacophonist’—in contrast to his younger contemporary Richard Strauss—may have been intended as a compliment, but doesn’t begin to do justice to this profoundly enjoyable music, its several influences (most notably Schumann) never far away.
Dominic Childs and Simon Callaghan present an engaging recital of works either written by or inspired by women, and that were written with both piano and orchestral accompaniment in mind – the 1903 Rhapsodie by Claude Debussy sits alongside works by Fernande Decruck, Paule Maurice & François Borne.
Another amazing collection from the 32rd Rarities of Piano Music Festival in the North German city of Husum. A wide selection of interesting and often forgotten piano music played by some of the leading pianists of today.
Including Simon Callaghan's performance of short works by Nicodé, the full version of which can be heard on the Hyperion disc CDA68269.
Karel Bredenhorst and I are very pleased to present our first CD, on the new Cervo Chamber Music label! It was a wonderful experience recording in Cervo and the fantastic acoustic of the Oratorio di Santa Caterina is captured on this disc in some of the finest works for cello and piano. The first ever CD recording in Cervo, undoubtedly the first of many!
It is my great pleasure to be involved in this disc, released to celebrate Thea Musgrave's 90th birthday in 2018! I really enjoyed working with Nathan Vale, Simon Wallfisch and Hiroaki Takenouch in her 'Poets in Love', a fascinating cycle of 17 poems spanning many centuries and languages.
Just what the Romantic Piano Concerto series does best: three works unlikely to be encountered in the concert hall, in performances by artists who wholeheartedly—and justifiably—believe in the music. The high expectations of this series are amply realized in volume seventy-six. Watch the trailer here.
Read programme notes here.
Specialist Classical Chart: Best position #2 on 05/07/2018. Weeks in chart: 5
The combination of Rheinberger and Scholz offers some rare but effective keyboard repertory from an era rife with talent.
This is only the second appearance of pianist Simon Callaghan within this Hyperion series of recordings and hopefully there will be more...
He brings a strong sense of sympathy for the style of the late Romantic concertos, allowing for some seriousness of purpose but also playing with fizz and elan where necessary.
Callaghan has the technical wherewithal to encompass all its challenges – from big chordal textures to glistening passagework... the supremely gifted Ben Gernon coaxes terrifically colourful playing from the BBC Scottish SO.
The handful of recordings that already exist... are sent into the shadows by Simon Callaghan.
Callaghan makes the case... with flair and conviction.
One only can wonder what Simon Callaghan will turn his attention to next. Whatever it is, I’ll bet his performances will be as rapturous as those on the present CD. Highly recommended.
...this new CD is a gem. Simon Callaghan is a brilliant musician who stands out with the highest pianistic competence for the rarities of Scholz and Rheinberger
...bombastic virtuosity, which Callaghan addresses with consummate ease and brilliance...luminous sonorities
Simon Callaghan on his mettle – he plays with consummate ease all that is required…Ben Gernon and the BBC Scottish offer lively and considered support to the excellent Callaghan, and the recording is a model of good balance, clarity and presence.
delicate finesse... spirited, well-shaped and refined.
An excellent sound... well thought out programme
Callaghan has all the resources to approach this repertoire with ease and brilliance without neglecting the delicacy of the lyrical passages... he creates an untapped niche with these unusual scores.
Simon Callaghan plays... with ease... subtle and refined... the collaboration between the soloist and orchestra is top.
He overcomes with ease and panache the difficulties of the score... Callaghan's enthusiasm infuses his figures with a youthful and persuasive charm...
Given the 'romantic' nature of these two sonatas, Saint-Saëns could have been forgiven for producing two-piano versions that treated the originals as bases for his own imaginings. In fact, as far as a fourth party can judge, he has been scrupulous in respecting the composers' intentions.
Simon Callaghan’s début concerto disc for Hyperion’s lauded Romantic Piano Concerto Series features the world premiere recordings of Roger Sacheverell Coke’s concertos with the BBC Scottish Symphony Orchestra and Martyn Brabbins. Watch the trailer here.
The CD reached #3 in the Official Classical Charts (remaining in the Charts for 3 weeks), the Top 10 in the Classic FM Charts, and featured as November CD of the Month on Colchester Classics and MusicWeb International!
Watch the trailer here.
Read programme notes here.