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John Addison


Concerto No. 1 in D minor, BWV 1052


Concerto No. 1 in C, Op. 15
Concerto No. 2 in B♭, Op. 19
Concerto No. 3 in C minor, Op. 37
Concerto No. 4 in G, Op. 58
Played on 18/02/2007 at St Leonard's, UK and
Concerto No. 5 in E♭, Op. 73

Arthur Benjamin


Concerto No. 1 in D minor, Op. 15

Geoffrey Bush

A Little Concerto (on Themes of Arne)


Concerto No. 1 in E minor, Op. 11
Concerto No. 2 in F minor, Op. 21
Variations on "Là ci darem la mano", Op. 2


Concerto No. 3 in E♭, Op. 30
Appears on Coke Concertos
Concerto No. 4 in C♯ minor, Op. 38
Appears on Coke Concertos
Broadcast on 05/04/2017 at BBC Radio 3
Concerto No. 5, Op. 57 ‘The Orton’
Appears on Coke Concertos


Concerto Leggiero


Concerto in F
Rhapsody in Blue


Concerto in A minor, Op. 16
Played on 07/11/2009 and


Concerto No. 1 in E♭
Played on 26/05/2004 at Royal College of Music, UK and


Concerto No. 1 in C minor, Op. 33
Concerto No. 3 in E minor, Op. 60 ‘Ballade’
Played on 16/10/2010 at Huddersfield Town Hall, UK and


Concert Rondo in D, KV 382
Concerto No. 6 in B♭, KV 238
Concerto No. 9 in E♭, KV 271 ‘Jeunehomme’
Played on 06/03/2005
Concerto No. 12 in A, KV 414
Concerto No. 13 in C, KV 415
Concerto No. 14 in E♭, KV 449
Concerto No. 19 in F, KV 459
Concerto No. 20 in D minor, KV 466
Concerto No. 21 in C, KV 467
Played on 17/11/2007 and
Concerto No. 23 in A, KV 488
Concerto No. 27 in B♭, KV 595
Concerto for Two Pianos in E♭, KV 365


Concerto No. 3 in C, Op. 26


Concerto No. 2 in C minor, Op. 18
Concerto No. 3 in D minor, Op. 30
Paganini Rhapsody, Op. 43


Concerto in G
Concerto for the Left Hand


Concerto No. 1 in F♯ minor, Op. 72
Concerto No. 2 in E minor, Op. 120
Concerto No. 3 in C, Op. 144
Concerto No. 4 in B minor, Op. 254
Konzertstück, Op. 33


Concerto in A♭, Op. 94


Concerto in A minor, Op. 30


Concerto No. 2 in G minor, Op. 22

Bernhard Scholz

Capriccio, Op. 35
Concerto in B, Op. 57



Concerto in F♯ minor, Op. 20

Humphrey Searle


Concerto No. 1 in C minor, Op. 35


Concerto No. 1 in B♭ minor, Op. 23


Simon Callaghan and Hiroaki Takenouchi play all the music with roughly equal amounts of sensitivity and panache, together with the intensity of recently converted zealots. It’s difficult to imagine a more courageous or rewarding album of music for this combination being released any time soon.

Fanfare Magazine - 05/08/2019