With Miriam Margolyes (narrator)
In 1930 Laurent and Mathieu, sons of French author and illustrator Jean de Brunhoff were told an enchanting bedtime story by their mother. They asked their father to create illustrations, eventually giving rise to a series of books that became a French national treasure. Francis Poulenc, attempting to entertain the young children of his cousins some ten years later, improvised music at the piano to accompany the story. A similar set of circumstances that combined to produce the beloved masterpiece, Babar.
SOMM Recordings announces the first complete survey on disc of George Dyson’s music for solo piano including five premiere recordings performed by Simon Callaghan in a specially priced two-CD set.
Callaghan is joined by Clíodna Shanahan for the first recording of the two-piano version of Concerto Leggiero, a mature work originally composed for piano and string orchestra. Almost classical in its sense of economy, the two-piano arrangement boasts a remarkable lyricism.
Born in Halifax in 1833, Dyson studied with Charles Villiers Stanford and Hubert Parry before becoming one of the most prominent British composers and distinguished teachers of his generation. Best known for his choral work, his piano music spans his compositional career. Heard in its entirety, it provides valuable new insights into his development as a composer.
Other first recordings include the seven-year-old Dyson’s first work for piano, Untitled Piano Piece, the exam board commission for young pianists, Twelve Easy Pieces, and The Open Window and Six Lyrics, character pieces designed to encourage young pianists.
Among other works included are the Debussy-accented Primrose Mount, the dazzling set of fugues Bach’s Birthday and so-called ‘War Epigrams’, inspired by Dyson’s experiences on the Western Front before being invalided home
Dyson biographer Paul Spicer provides the authoritative booklet notes.
Thanks to the tireless advocacy of Simon Callaghan, the music of the Derbyshire-born Roger Sacheverell Coke has started to emerge from the obscurity in which it has languished since the composer’s death in 1972.
Despite showing considerable early promise, Coke remained an outsider in British musical life. Following studies at Eton (until 1931), he took private lessons with Mabel Lander (piano) and Alan Bush (composition) rather than attending university or music college. Coke credited Bush for helping him to find his musical voice, and cited Arnold Bax as a major influence, but his musical sympathies also extended to Bruckner, Mahler and Rachmaninov at a time when all three were deeply unfashionable among musical cognoscenti. His piano concertos nonetheless attracted widespread attention, with performances in Bath and Bournemouth, and BBC radio broadcasts of the second concerto in 1934 and the third concerto in 1939.
The three cello sonatas featuring on this disc frame the years 1936 to 1941, a very productive period in Coke’s life in which he also composed his second symphony (dedicated to Rachmaninov), the third and fourth piano concertos, a set of 24 preludes for piano, the opera The Cenci, the second and third piano sonatas, the first violin sonata, the Poem for cello, piano and small orchestra, as well as several sets of songs and other smaller pieces. This output is all the more remarkable given that Coke was already showing signs of the mental illness that would have a major impact on his creativity in later years, regularly leading to his hospitalisation for several months at a time.
The story of British music for violin and piano is a fascinating one, but by no means as fully appreciated as it might be. It forms part of the broader genre of British chamber music, overshadowed by the breadth of orchestral, choral, and solo vocal music. Violinist Clare Howick and pianist Simon Callaghan pay tribute to the remarkable flourishing of British violin sonatas in the 20th century with a collection of music by six key figures of the modern chamber music renaissance in Britain.
Pick of the day (26 April 2020) on WFMT, Chicago's classical music station!
Recommended Recording in The Strad (June 2020)
Les Soirées de Nazelles and Carnaval are not only two of my favourite pieces to perform, but as some of the finest examples of sets of miniatures, they also make excellent companions on disc. It is such a pleasure to be able to present them both here, alongside another set of character pieces by Schumann, his much-loved Kinderszenen. Making this recording has been a true labour of love.
SOMM Recordings’ The Deeper the Blue offers an intriguing exploration of colour and timbre in music and a revealing investigation of the connections between four very different composers over a near-100-year period.
Taking its title from painter Wassily Kandinsky’s assertion that a deepening colour ultimately “turns into silent stillness and becomes white”, the recording illuminates the intimate relationship between student and teacher: Vaughan Williams and Maurice Ravel, Kenneth Hesketh with Henri Dutilleux and the influence on Dutilleux of Ravel.
The two works by Sherwood presented on this disc were not published during the composer's lifetime and are recorded here for the first time, using texts prepared and edited by Hiroaki Takenouchi from manuscripts held by the Bodleian Library.
Felix Draeseke’s description of Nicodé as ‘more a moderate progressive than a cacophonist’—in contrast to his younger contemporary Richard Strauss—may have been intended as a compliment, but doesn’t begin to do justice to this profoundly enjoyable music, its several influences (most notably Schumann) never far away.
Dominic Childs and Simon Callaghan present an engaging recital of works either written by or inspired by women, and that were written with both piano and orchestral accompaniment in mind – the 1903 Rhapsodie by Claude Debussy sits alongside works by Fernande Decruck, Paule Maurice & François Borne.
Another amazing collection from the 32rd Rarities of Piano Music Festival in the North German city of Husum. A wide selection of interesting and often forgotten piano music played by some of the leading pianists of today.
Including Simon Callaghan's performance of short works by Nicodé, the full version of which can be heard on the Hyperion disc CDA68269.
Karel Bredenhorst and I are very pleased to present our first CD, on the new Cervo Chamber Music label! It was a wonderful experience recording in Cervo and the fantastic acoustic of the Oratorio di Santa Caterina is captured on this disc in some of the finest works for cello and piano. The first ever CD recording in Cervo, undoubtedly the first of many!
It is my great pleasure to be involved in this disc, released to celebrate Thea Musgrave's 90th birthday in 2018! I really enjoyed working with Nathan Vale, Simon Wallfisch and Hiroaki Takenouch in her 'Poets in Love', a fascinating cycle of 17 poems spanning many centuries and languages.
Just what the Romantic Piano Concerto series does best: three works unlikely to be encountered in the concert hall, in performances by artists who wholeheartedly—and justifiably—believe in the music. The high expectations of this series are amply realized in volume seventy-six. Watch the trailer here.
Read programme notes here.
Specialist Classical Chart: Best position #2 on 05/07/2018. Weeks in chart: 5
* For release in September 2020
Given the 'romantic' nature of these two sonatas, Saint-Saëns could have been forgiven for producing two-piano versions that treated the originals as bases for his own imaginings. In fact, as far as a fourth party can judge, he has been scrupulous in respecting the composers' intentions.
Simon Callaghan’s début concerto disc for Hyperion’s lauded Romantic Piano Concerto Series features the world premiere recordings of Roger Sacheverell Coke’s concertos with the BBC Scottish Symphony Orchestra and Martyn Brabbins. Watch the trailer here.
The CD reached #3 in the Official Classical Charts (remaining in the Charts for 3 weeks), the Top 10 in the Classic FM Charts, and featured as November CD of the Month on Colchester Classics and MusicWeb International!
Watch the trailer here.
Read programme notes here.
The recording does the work full justice... A commendable revival of works dug out of the archives by the pianist himself.
Simon Callaghan is clearly in his element, enjoying the abundance of double octaves whilst never losing melodic elegance nor beauty of tone.
I have nothing but praise for the performances... impressive pianism
stunning performances... Simon Callaghan takes it all in his stride
Simon Callaghan is a fine advocate... We unhesitatingly make it our Collectors' Choice...
He throws himself into the concerto's physically taxing, Scriabinesque sound world with passion, total commitment and, it seems, heartfelt affection.
...excellent CD... Simon Callaghan is a sympathetic and committed exponent.
...one of the leading young British pianists with a wonderfully wide range of tone colours and a sure understanding of the structure and passion of the scores.
[Callaghan] was the obvious choice as the soloist for these recordings, and he and Martyn Brabbins make a good case for these works ... a rewarding discovery
Callaghan's achievement of myriad tonal hues adds greatly to the allure.
Callaghan's achievement deserves, therefore, the utmost acclaim; not only does he fully master the considerable technical challenges, but he also finds room for a nuanced interpretation without exaggerated pathos.
Callaghan and conductor Martyn Brabbins fashion performances that are completely idiomatic, while the fervor of the BBC Scottish Symphony is wonderful.
Pianist Simon Callaghan’s unshakable faith in the value of this music is matched by his extraordinary ability to present it in the best possible light.
Simon Callaghan is a sympathetic and skilled pianist, and the BBC SO under Martyn Brabbins performs splendidly.
...the singular art of a composer that must be rediscovered.