BBCNOWDrop ShadowSIMONCALLAGHANpianist

Recordings

John Addison
Wellington Suite
17:18
1
I.Allegretto con brio1:48
2
II.Andante, un poco pomposo4:12
3
III.Allegro vivace3:09
4
IV.Moderato, tempo di valse4:40
5
V.Allegro con brio3:29
Arthur Benjamin
Concertino
14:45
6
I.Allegro non troppo e ritmico2:05
7
II.Andante poco lento4:33
8
III.Scherzo. Presto scherzando3:55
9
IV.Come primo ma meno allegro4:12
Maconchy
Concertino
12:13
10
I.Allegro molto3:59
11
II.Lento, serioso5:00
12
III.Allegro con brio3:14
13
Humphrey Searle
Concertante
4:11
14
Rubbra
Nature's Song
9:39
Geoffrey Bush
A Little Concerto (on Themes of Arne)
10:17
15
I.Andante4:37
16
II.Allegro1:28
17
III.Siciliano2:05
18
IV.Vivace2:07
Recording date29-30 June 2021
Recording locationHoddinott Hall, Cardiff, UK
ProducerAdrian Farmer
EngineerAndrew Smillie & Simon Smith
Release date1 April 2022
LabelLyrita
Catalogue numberSRCD407
Duration68:23
Cover artwork‘Brightest London is best reached by Underground’ (1924) by Horace Taylor
SRCD407 Cover 300dpi

With the BBC National Orchestra of Wales, conducted by Martyn Brabbins

Simon Callaghan, Martyn Brabbins and the BBC National Orchestra of Wales team up for this exciting recording which draws on the lighter side of musical life in repertoire which cannot fail to provoke a smile!

Smaller concertos for piano and modest orchestral forces were a feature of British composition in the first half of the 20th century, often written for a special occasion. As is often the case with first performances of contemporary music, these works were typically destined to vanish into oblivion thereafter, and this new recording seeks to re-establish their place in the repertoire as exciting and vibrant pieces which will bring joy and intrigue to the listener.

Indeed, while searching for enticing music to record with a smaller number of players, Simon Callaghan was thrilled to uncover this treasury: short concertos written for entertainment, perhaps for a single occasion, but of a quality that makes them deserve to be heard in the years to come.

The listener will travel through the innocent pastiche of Bush's tribute to Arne, Rubbra's student essay, the ‘Blues’ of Benjamin, the serial language of Searle, the intense drama of Maconchy, and the bold humour of the film composer John Addison. It is all great fun, and has never been recorded — apart from the Benjamin, which was recorded just once, back in 1959.

Two nominations for MusicWeb International Recording of the Year 2022 (read more)